Three views of one script. Two format the way paper does. One formats the way a screen can.
INT. ROOFTOP - NIGHT
MIRA stands at the ledge, lit from below. DEV waits by the door.
MIRA
(quietly)
I didn't think you'd come.
DEV
Neither did I.
He does not move from the door.
No indents. A cue is a small bold label in its own colour, dialogue runs full width under it, and a scene opens with a quiet number in the margin. Your scenes sit in a rail alongside.
INT. ROOFTOP - NIGHT
MIRA stands at the ledge, lit from below. DEV waits by the door.
MIRA
(quietly)
I didn't think you'd come.
DEV
Neither did I.
He does not move from the door.
Industry format, indents and all, as one continuous column. A thin mark shows where each printed page ends, and there are no sheets to scroll past.
INT. ROOFTOP - NIGHT
MIRA stands at the ledge, lit from below. DEV waits by the door.
MIRA
(quietly)
I didn't think you'd come.
DEV
Neither did I.
He does not move from the door.
White pages, numbered, exactly as they will print, and you type right on them. Highlights and revision bars come off, so it reads like paper.
changes this line. It never adds one.
Tab turns the line you are on into the next kind of line, scene heading to action to character to parenthetical to dialogue to transition, then around again. Your cursor never moves.
the next line, or a way out.
After a character, Enter gives you dialogue. After dialogue, a character. On an empty line, it hands you back to action.
the Final Draft numbers.
Jump straight to one element the way your hands already know. Same numbers, same order.